After moving to France, she focused more on painting and less on producing comics. In addition to her comics work, Kominsky-Crumb was a painter. Kominsky-Crumb and her husband had an open marriage, and Kominsky-Crumb's "second husband", French printmaker Christian Coudurès, lived with the family (as did his daughter, Agathe McCamy, who assisted Kominsky-Crumb in coloring her comics). Kominsky-Crumb was featured in a number of scenes in Crumb, the 1994 documentary about the Crumb family. Aline had long been an avowed Francophile, while Robert had become especially disgusted with American culture, and they believed it would be a better environment for their daughter. Her editorial reign was known as " Twisted Sisters", reviving that title Noomin was a frequent Weirdo contributor during this period, which also featured Kominsky-Crumb's own comics.įrom 1991, Robert and Aline lived as expatriates in a small French village in the Languedoc-Roussillon region. įrom 1986 to 1993, Kominsky-Crumb was editor of Weirdo, a leading alternative comics anthology of the time, taking over editorship from Peter Bagge, who had previously taken over from original editor Robert Crumb. Later installments of Dirty Laundry feature contributions by Sophie, who also began producing comics in her teens. Around this time, Kominsky-Crumb began calling her comics avatar "The Bunch," a reference to the similarly named Crumb character. They both drew their own characters for the comic. Starting in the late 1970s, Aline and Robert produced a series of collaborative comics called Dirty Laundry (also known as Aline & Bob's Dirty Laundry), a comic about the Crumb family life. Kominsky-Crumb later claimed that a large part of her break with the Wimmen's Comix group was over feminist issues and particularly over her relationship with Robert Crumb, whom Robbins particularly disliked. After she and Diane Noomin had a falling out with Trina Robbins and other members of the collective, they started their own title, Twisted Sisters. Kominsky-Crumb also fell in with the Wimmen's Comix collective, and contributed to the first few issues of that series. Their relationship soon became serious, and they began living together. In 1972, soon after arriving in San Francisco, Aline was introduced to Robert Crumb by mutual friends, who had noted an uncanny resemblance between her and the coincidentally-named Crumb character Honeybunch Kaminski (who had been created in 1970). Rodriguez and Deitch introduced her to underground comix, inspiring her to begin making underground comics herself and to relocate to San Francisco. Kominsky-Crumb was introduced to underground cartoonists Spain Rodriguez and Kim Deitch by former Fugs drummer Ken Weaver, who was living in Tucson at the same time. During this time, she attended University of Arizona, graduating with a BFA in 1971. However, she retained the surname Kominsky after their split. In 1968, Aline married Carl Kominsky, with whom she relocated to Tucson, Arizona. Relocating to East Village during her college years, she began studying art at The Cooper Union. As a teenager, she turned to drugs and the counterculture, and was a hanger-on to New York countercultural musicians such as The Fugs. Her father was a largely unsuccessful businessman and organized crime associate. Their daughter, Sophie Crumb, is also a cartoonist.īiography Early life and education Īline Goldsmith was born to a Jewish family in the Five Towns area of Long Island, New York. She was married to cartoonist Robert Crumb, with whom she frequently collaborated. In 2016, Comics Alliance listed Kominsky-Crumb as one of twelve women cartoonists deserving of lifetime achievement recognition. Kominsky-Crumb's work, which is almost exclusively autobiographical, is known for its unvarnished, confessional nature. Aline Kominsky-Crumb (née Goldsmith Aug– November 29, 2022) was an American underground comics artist.
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